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Once you discover it, the game starts changing things around and introducing new elements at lighting speed.ДЄs a developer knowing how much time and effort it requires to make features, I was honestly shocked by the number of changes when they first happened вЂ“ I donвЂ™t think I played another game that would toss most of its established mechanics, aesthetics, and themes out the window mid playthrough, turning it into another type of game just like that. It quickly becomes apparent that these interactions, not the cards themselves, are actually the way to beat the game. The game lets you know right off the bat that you can actually get up from the card table and interact with the environment around the hut. That was all good and well, but what actually made it stand out to me was the meta-level of the game вЂ“ read on only if you donвЂ™t mind heavy spoilers!

I enjoyed the narrative and how it allowed me to play around with mechanics and construct OP decks вЂ“ I actually managed to quickly build a card that was so strong that it was almost too easy to go through the bosses. It reminded me a bit of Hand of Fate with its presentation вЂ“ how the cards are played on a virtual table and how the dealer is in front of you, playing the part of the narrator. It started off as a card game with interesting tug-of-war mechanics and very cool, dark theming.

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I recently finished playing Inscryption and I have many thoughts on it вЂ“ I sank into it really fast after recommendations from my friends, which led to a full weekend of binge-playing. He prides himself on having a tongue twister name and completing a number of Dark Souls games without rage quitting. He grew up and studied in Warsaw, capital of Poland. His favorite video games include Might & Magic VII, BaldurвЂ™s Gate II, Gothic series, and Total War series. As a member of the LGBTQIA+ community, Mateusz understands the need for diversity, inclusion, and representation in the medium. Mateusz is a passionate video game, tabletop, and board game player вЂ“ he cares deeply about the playerвЂ™s experience and immersion and always tries to make games he would love to play himself. He was one of the major contributors to the CDPR gamesвЂ™ direction and vision, mostly in the fields of narrative and quests, with exception of the Thronebreaker project which he has led as a game director. During his time in CDPR Mateusz has designed a number of quests and stories, he helped build the Quest Design Team and led it throughout a number of projects.

Prior to joining Riot Games, Mateusz worked for over twelve years in CD Projekt RED on a number of critically acclaimed projects, including The Witcher 2: Assassins of Kings, The Witcher 3: Wild Hunt, Gwent, Thronebreaker, and most recently Cyberpunk 2077. His expertise includes designing, creative writing and building narratives within video game engines, game making tools design, and improving internal pipelines and production processes. Mateusz Tomaszkiewicz is a principal game designer specializing in video game quests and narrative content for Riot GamesвЂ™ upcoming MMO game. This week we have Mateusz Tomaskiewicz, principal game designer at Riot Games, speaking about InscryptionвЂ™s relentless self-reinvention and meta-narrative.

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Third-Party is a series of guest blogs where developers talk about specific games, mechanics, levels, and more.

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